That reference doesn’t really make much sense at all, but I needed a title for this post, and sometimes they just don’t come, and you end up with a stinker like that. Oh well.
A while back (much more than a year ::wince::), I helped my friend David move all of his grandmother’s things out of her old house. She had a lovely sewing collection – jars of vintage buttons, bins of vintage thread, a giant Tupperware full of binding and hem tape – and he was kind enough to pass on a number of those things to me. And, believe me, they have been getting a lot of use. I haven’t had to buy buttons for a project in some time, and I made a bunch of baby bibs last summer that each had a different color of binding.
One of the things that David included in that oh-so-kind giveaway was this little beauty.
That right there is a Bernina 1260.
Now, for those who might not know, Bernina is a really good sewing machine. I have heard it referred to as the Cadillac of sewing machines. Growing up, I always worked with Singer machines, which are not bad, but are a lot easier to find and get your hands on. For one, most of them don’t require financing, the way most Berninas do.
The Singer that Mom had purchased for me was humming along just fine at the time, so I wasn’t necessarily looking for a new machine. David was originally planning to take the Bernina home, himself, but at the end of the day, as we were packing up the last few things, he looked at the box and said “You know what? You sew a lot more than I do, and would probably get more use out of this than I would. Why don’t you take it?”
I asked him several times if he was absolutely sure. Like I said, Bernina is a good company. Even though the 1260 is an older machine (made in the 90s, I think, and believe me…it hurts to call anything from the 90s “older”), it is still a great, dependable machine. Plus, it’s made of metal, unlike pretty much everything made nowadays. It feels like a more permanent, steady, reliable machine because it’s not made out of plastic.
The machine and the accompanying sewing cabinet sat at the church for a little while, until I could finally clean out the basement area and set up space for it. Finally, I was able to move it in, set it up, plug it in, and hit the power button…only to have the light briefly flash and then die.
I figured it was probably a fuse, which was inconvenient. You can change those yourself, but it’s difficult to get in there and change everything out, and I wasn’t comfortable taking everything apart myself. So the machine sat on the table for a lot longer than I really want to admit, waiting for when I had the free time to pack everything up and cart it over to the shop.
Back in January, my office was closed for the Inauguration (one of the perks of being located in the DC metro area), and I knew the Quilt Patch was going to be open. I called ahead to make an appointment to drop off the Bernina, and was told the turn around was around two weeks.
Saturday morning, a little more than two weeks later, I headed back to the Quilt Patch. The machine is back, and everything is fixed. It turns out it wasn’t the fuse after all. The power supply had to be replaced. Since the machine is older, you can’t get a new part, but the repairman happened to have a rebuilt motherboard on hand. He then proceeded to tell me it was a real nice machine, with a smooth satin stitch, and that it was worth it to replace the broken part instead of getting a new machine.
Always something I like to hear.
The gummy bear council has deemed the machine worthy of use.
I switched my machines out (don’t worry, I still expect to get some use out of my old machine – especially since she’s much easier to cart around than the Bernina. The sewing table that David gave me is designed specifically for my “new” machine, with a nifty clear drop in that makes the sewing plate even with the rest of the surface, instead of the fabric having to shift up and over and back down the Singer’s plate.
Knowing I needed to jump into a project in order to know Bernadette (as I shall now call her) a little better, I busted out a pattern I had picked up a few months earlier, but hadn’t yet gotten around to.
I had been impressed by the design and instructions for the Comox trunks, by Thread Theory, so I picked up a few more of their patterns, to add to Robert’s handmade wardrobe. Since I’ve now made him two shirts, I thought I would try my hand at a pair of pants. The Jutland Pants were the obvious-to-me choice, as they are similar to the pants Robert already wears.
I showed him the pattern, and he was intrigued…but he had a request. He likes cargo pockets, but he prefers ones that are inset, much like a welt pocket, rather than the ones that have a flap on them. Could I make a pair like that? I think I probably can, but for the first run at the pattern, I’m going to move forward, just following the pattern as written. If the fit works, then I will attempt what he has requested with the second pair.
Finding suitable fabric to make a (hopefully) wearable muslin was a challenge of its own, largely owing to the fact that I was tired that day and really didn’t want to trudge out to the regular fabric store. Instead, I headed to Walmart, where I figured they would have some twill fabric. I did find a lovely, brushed twill in beige, but there was barely a yard on the bolt. I settled for some chocolate brown cotton canvas, and another, lighter tan twill that has a slightly slick feel (it’s supposed to cut down on wrinkles, and repel a little bit of water).
Knowing I only needed about half a yard of fabric for the waistband facing, pocket, and lining the cargo pocket flap, I dug around in my stash boxes at home. I pulled out a box of fabric that came from my grandmother’s house – some of them reclaimed from old dresses or shirts, and some of them, miraculously, several yards of uncut cotton prints. I opted for a dark green/black/ever-so-slightly-visible-pink plaid. i can’t remember exactly what it used to be, but I know I reclaimed it from a previous garment. I can still see some of the old stitch holes, and there were obviously darts in the original piece. I had just enough for all of the pieces I needed, with enough scraps left over that they can be used for quilt squares or other small projects.
[I love it when a new sewing project can have little bit of history in it, like this pair of pants.]
I had picked up some metal zippers when I was at Walmart, but I didn’t have any jeans buttons, and the zippers weren’t quite right, so I ended up swinging by Stitch later, during one of my lunch breaks. So convenient to have that shop around the corner from work!
Most of the construction for the pants breezed along pretty easily. The directions are incredibly detailed, with little blurbs about terminology for those who might be new to sewing. I thought that was a great touch, as many other patterns assume you are familiar with all sewing terms. That’s not generally the case, starting out. [I’ve been sewing for at least 25 years, and I’m still learning things.] The only section I had trouble with was the section focused on the zipper fly front. I read, re-read, re-re-read those instructions so many times! I’m still unsure whether I put the zipper shield on correctly, but the pants seem to work fine.
I loved the plaid lining for the flap….but the placement of the pockets didn’t work out and I ended up removing them all together
Mid-way through the construction, I had Robert try on one of the legs. I was worried about the fit at that time, as it looked like they might end up being too tight when everything was finished. Turns out, I shouldn’t have worried about that part. Robert had mentioned that his usual, store-bought 30s were starting to not fit right, so I cut the 32 size. It’s a little roomier than I think Robert really wants, so I think I will aim for a midway point between the two sizes when I cut out the next one. The knee patches need to be moved up about 4 inches, and the cargo pockets on the side were also situated too low. This should be solved by making a length adjustment to the pattern before cutting out the next pieces. I’m going to remove the pockets from the first wearable muslin, so they won’t look weird, but I’ve made some notes for the next version. Robert also requested I reinforce the corner of the right-hand front pocket, to allow for where his knife clips to his pocket.
The first stab at sewing up the Jutland pants took about 12 hours, spread over four days. [Keep in mind that I only had a few hours here and there to work on them.] That includes cutting out the pattern, the actual construction, and the final fitting/hems. I feel pretty confident that I could get that time cut down a fair bit, as I become more familiar with the pattern. Of course, working with welt pockets will probably slow me down considerably. I dislike sewing welt pockets, even if they end up looking nice.
Bernadette came through for me on this project. There were a couple of hiccups here
Robert’s initials, stitched onto the back pocket
and there – mostly when lint build-up affected the thread tension, or when I had to experiment to figure out how to position the needle to sew with the zipper foot, but the machine did all of the things I needed it to do. I was even able to add a little personalized touch to one of the back pockets. I think, with some extra practice, I’ll be able to do some great things with this machine.